Thursday, May 6, 2010
This article had a huge influence on my approach to film during my college years; at least three of my college writing projects were direct applications of Bellour's ideas. In one of these projects, I examined a scene from one of my favorite movies, Double Indemnity. For this week's post, I have reprinted this piece in what I am calling the Second Reel Annex, a repository for writing I deem too long for a blog.
You can read The Obvious, the Code, and Double Indemnity at the Annex, then return here to post any comments you may have.